Fictitious locations presented as real within a film’s narrative serve various purposes. A filmmaker might use a non-existent address on screen to avoid disturbing residents of an actual location, or to create a sense of universality, allowing the story to resonate with a broader audience. For instance, a generic address like “123 Elm Street, Anytown, USA” prevents viewers from associating the narrative with a specific real-world place. Alternatively, a specific but fabricated address, such as “56 Sycamore Lane, Hill Valley,” can contribute to a fictional world’s verisimilitude.
The practice of employing invented locations offers practical and creative advantages. Protecting the privacy of individuals and businesses is a key benefit. Film productions often involve significant disruption, and using a fabricated address minimizes inconvenience to real-world residents. Furthermore, fabricated addresses allow for greater narrative flexibility. Writers and directors can craft locations specifically suited to their stories, unbound by the constraints of existing places. This practice has a long history, dating back to the early days of cinema, as a means of both simplifying logistics and enhancing storytelling.
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