Films utilizing Elvis Presley’s music, either as diegetic sound within the narrative or non-diegetically as part of the soundtrack, represent a significant intersection of cinema and popular music. For example, a film might feature a character listening to “Hound Dog” on the radio (diegetic), or use “Can’t Help Falling in Love” during a romantic montage (non-diegetic).
This practice offers several advantages. It can establish a period setting, evoke specific emotions, and draw upon the cultural resonance of Presley’s iconic status. Furthermore, the use of pre-existing music can be a cost-effective alternative to commissioning original scores, while simultaneously boosting a film’s marketability. Historically, the incorporation of Presley’s music in film began during his own acting career, with many of his films built around his musical performances. This trend continued after his death, with his music finding its way into a diverse range of films, from dramas to comedies, further solidifying his enduring influence on popular culture.
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